I have had the piece ‘Future Ruins’ published in the collection Aesthetic Fatigue: Modernity and the Language of Waste, ed. John Scanlan and J. F.M. Clark (Newcastle: Cambridge Scholars, 2013), pp. 138–158. Other contributors include Steven Connor, Timothy Cooper, and Harvie Ferguson, among many others. My contribution to this eclectic collection of writings expands upon a post available on this website. It works over the temporalities at stake when we project ruins into the future, revealing, I think, how we depend upon times of use and waste to call upon different kinds of future. Rereading some of this, especially in light of Mel Chen’s work on the concept of ‘animacy’, has led me rethink some of the ways we make our futures active or inactive, according to the objects we use to populate yet unrealised environments. In the end, there are some simple ideas contained here – on how waste carries and animates time; how waste is not simply a thing of retrospective contemplation (i.e. the nostalgic has-beens of a time past) but a concept which enlivens how we conceive our potential; and that thinking on the possibilities of wasted futures requires a mode of narrative thinking, one that is as much about the here and now as it is about the future.